{"title":"Blues","description":"","products":[{"product_id":"stevie-ray-vaughan-the-essential-stevie-ray-vaughan-and-the-trouble-lp","title":"Stevie Ray Vaughan \/ The Essential Stevie Ray vaughan And The Trouble - 2LP","description":"\u003ch3 class=\"group\"\u003e Track list \u003c\/h3\u003e\n\n\u003cdiv class=\"section_content\"\u003e\n\n\u003ctable class=\"playlist\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e A1\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eLove Struck Baby\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e A2\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003ePride And Joy\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A3\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e A3\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eTexas Flood\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A4\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e A4\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003elenny\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A5\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e AT 5\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003ecold shot\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e B1\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eCouldn't Stand The Weather\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B2\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e B2\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eThe Things (That) I Used To Do\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B3\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e B3\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eTin Pan Alley (The Roughest Place In Town)\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"C1\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e C1\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eSay What!\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"C2\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e C2\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eLook At Little Sister\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"C3\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e C3\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eChange It\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"C4\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e C4\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eLittle Wing\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"D1\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e D1\u003c\/td\u003e\n\n \u003ctd class=\"track tracklist_track_title \"\u003e\n\u003cspan class=\"tracklist_track_title\"\u003eThe House Is Rockin'\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"D2\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e D2\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eCrossfire\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"D3\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e D3\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eTightrope\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"D4\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e D4\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan class=\"tracklist_track_title\"\u003eLong Way From Home (The Vaughan Brothers)\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"D5\"\u003e\n\n\u003ctd class=\"tracklist_track_pos\"\u003e D5\u003c\/td\u003e\n\n\u003ctd class=\"track tracklist_track_title \"\u003e \u003cspan 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In another life, she was Johnny Halliday's backing vocalist, disco queen (“Lady Marmalade”), then rock muse in Luc Plamondon's operas. This time, Nanette, in her early fifties, returns to the dusty trails of her native Mississippi. This is a blues album that suits him marvelously. The soul and gospel offshoots perfectly marry the gravelly vocal chords of the singer, who is in splendid shape here. The result is all the more convincing as guitarist Steve Hill catalyzes the ardor of the lady with his subtle glissendos and syncopated chords. 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That is to say, mixed in with the country-blues style that dominated his self-titled debut are elements of soul, R\u0026amp;B, and rock (the opening \"Muddy Water\" sounds, in Keb' Mo's hands, a great deal like the Rolling Stones' \"Honky Tonk Woman\"). When this works, as it does on\n Slow Down's title track, it works very, very well. Some of the ballads, though, sound a little bland, and when the album returns to the tight, rock-inflected \"Soon As I Get Paid\" or the funky \"A Letter to Tracy,\" it's refreshing. The real treats, however, come late in the album. 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Flight. 1 is studio recordings, with The Sky Is Crying; the unreleased Before You Accuse Me (Versions 1 \u0026amp; 2), and more. Flight. 2 is all live, with Crossroads; an unissued version of Further On up the Road, and more. Two hours!\n\n\n Amazon.ca\n\n\n There's a telling subtext to this retrospective of Eric Clapton blues sides. Culled from recordings cut between 1970 (the\n Layla sessions) and 1980 (when Clapton cut his final Polydor album,\n Another Ticket), these sides find EC exploring his beloved blues while in a fragile state of mind and body. After all, he was taking drugs when he concocted\n Layla, and though he kicked \nthat habit in the early '70s, he continued to test his tolerance for alcohol throughout the decade. When you think of the Clapton of the '60s, you think of the fire and ice of his playing with the Yardbirds, John Mayall, and Cream. When you think of his '70s playing, he's wearier and perhaps more reflective. (It was easy to mistake melancholic for mellow at the time.) The 35 selections included on these two discs find the temporarily deflated rock superstar leaning on the blues for support as he draws on likes of Muddy Waters, Robert Johnson, and Little Walter for inspiration. Hardcore fans will appreciate previously unreleased versions of Bo Diddley's \"Before You Accuse Me\", a solo take on the traditional \"Alberta\", a 1974 cover of Willie Dixon's \"Meet Me (Down at the Bottom)\", and a remixed live 1976 version of \"Further on Up the Road\" with Freddy King sitting in. 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Neither are Chuck Berry's \"No Particular Place to Go\", \"Night Time\", and a number of other staples. More suspicious still, \"Bad to the Bone\" appears with a new remix. Hmm. Looks like someone's leaving some slack for a Volume 2. 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The bluesman has judiciously selected 14 tracks that wonderfully synthesize his career: there are original compositions (\"Snow Falling Gray Day\"), traditional tunes (\"House of the Rising Sun\"), popular covers (\"Hit the Road Jack\") or more obscure (\"Buzzard Luck\"). Walsh also alternates between rich and spare orchestrations, not hesitating to reconnect with a string quartet or call on a brass section. \nThe musician thus achieves a very nice balance and delivers an album as dynamic as it is warm, which leaves no room for boredom. The performances are flawless: not only is Walsh all vocals, but his orchestra, which includes harmonica player Guy Bélanger and bassist Jean Cyr, is also on fire! The contributions of the many guests give each track a unique character: Steve Hill, Gilles Sioui and, above all, Jeff Healey shine on guitars, while Dawn Tyler Watson and Kim Richardson excel on backing vocals. This is an opus that will reconcile fans of early Walsh and those who are interested in its more commercial side. 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The same can be said of Eric Clapton, one of Mr. Johnson's most dedicated interpreters. From his work with John Mayall's Bluesbreakers to Cream and beyond, Clapton has arguably attracted more widespread attention to Johnson's music than any other living musician. A decade after his all-blues \nFrom the Cradle (which included no Johnson material), Clapton jumps into the icon's catalog with both feet by covering 14 Johnson tunes. With a stripped-down veteran band that includes such longtime associates as drummer Steve Gadd, keyboardist Billy Preston, and harmonica ace Jerry Portnoy, the guitarist attacks these songs with passion, intelligence, and a refreshing lack of blues-rock pretense. 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As with previous musicians as disparate as Dylan and , Vaughan's willful tweaking of staid genre conventions initially infuriated purists. Though few could have imagined it at the time, Vaughan and company's July 17, 1982, show at the Montreux Jazz Festival (included here in its entirety) ignited not only a brilliant career, but a widespread revival of the blues as well.\n David Bowie was there that night, but he was not booing. He secured the Texas guitarist's services for his smash Let's Dance album on the spot, nearly a year before Vaughan would make his major-label debut. \nStraight from the Austin club scene, the band displays their nervous energy in a set that contains several previously unreleased\/rare gems from SRV's early repertoire, including the Hound Dog Taylor romp \"Give Me Back My Wig.\" By the time of this set's second disc, recorded just three years later, SRV was a worldwide star, the boos had turned to rousing cheers, and Vaughan's nervousness was replaced by an incendiary swagger he seemed all too happy to push into the crowd's faces. With the band (drummer Chris Layton, bassist Tommy Shannon) now augmented by Reese Wynans on organ and guest guitarist Johnny Copeland sitting in on \"Tin Pan Alley,\" the triumphant show (11 of the 15 songs are included here) centered on the cream of SRV's first three studio albums. While some of these tracks have found their way onto other releases (Live Alive, Blues at Sunrise), the show's \"Scuttle Buttin',\" \"Voodoo Chile,\" \"Gone Home,\" and \"Couldn't Stand the Weather\" are released here for the first time. The set's comprehensive liner notes contain new commentary from the band's Shannon and Layton, David Bowie, early confidant Darryl Pitt, and many quotes from the guitar legend himself. 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Hummingbird 2. Cook County Jail Introduction 3. How Blue Can You Get 4. Caldonia 5. Sweet Sixteen 6. Ain't Nobody Home 7. Why I Sing the Blues 8. The Thrill Is Gone 9. Nobody Loves Me But My Mother Details Playing Time: 40 min. Producer: Ed Michel Album Notes Assembled and remastered at The Village Recorder, Los Angeles by Ed Michel and Baker Bigsby.THE BEST OF BB KING is a fine assembly of BB's late '60s-early '70s recordings. With attention divided equally between his soul, \"jazz,\" and blues songs, this nine-track set is a perfect introduction to the mid-career works of the guitarist-singer. From certified blues classics like \"The Thrill Is Gone\" and \"Why I Sing The Blues\" to sweet Memphis-style soul numbers like \"Ain't Nobody Home,\" this compilation surveys King's songwriting as well as his interpretive abilities. He turns the Louis Jordan staple \"Caldonia\" into a Chicago-meets-Basin St. blues jam and his gospel-tinged version of Leon Russell's \"Hummingbird\"--which features Joe Walsh and Leon himself--further stretches the all-encompassing grasp of the jazz-blues-R\u0026amp;B legend, who is forever titled \"The King Of The Blues.\"\u003c\/p\u003e \u003cp\u003e\u003cb\u003eUPC:\u003c\/b\u003e 076731104027\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0076731104027\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42204485878019,"sku":"HG-RZQR-29YH","price":3.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/21X668HDEHL.jpg?v=1639450586"},{"product_id":"rooftops-satellites","title":"Rooftops \u0026amp; 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Surrounded by a talented team, including the bluesman Ray Bonneville on lyrics and his old accomplice Bob Stagg on keyboards, Hill offers himself a record that is both modern and retro, a true summary of his musical influences. The bet could have been risky, but the Trois-Rivières residents are doing pretty well. His guitar playing is as impressive as ever, his arrangements, which call on very soulful choirs and brass instruments, are impeccable and he appropriates each of the styles he tackles with great ease. Boasting an excellent production,\n Domino is worth the detour, especially since it is home to two rare vocal flights of Hill in the language of Molière, which prove to be two successes: \"Les Eaux troubles\" (with lyrics by Stefie Shock) and \"Irréparables errors\".\n --Nicolas Houle\u003c\/p\u003e \u003cp\u003e\u003cb\u003eUPC:\u003c\/b\u003e 064027115826\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0064027115826\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42226351898883,"sku":"YG-FW2I-YSKM","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/413V69VSWYL.jpg?v=1639835180"},{"product_id":"b-b-king-friends-80","title":"BB King \u0026amp; Friends: 80","description":"\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e BB King\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eFormat:\u003c\/b\u003e Remixes included\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 13-09-2005\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eDetails:\u003c\/b\u003e Amazon.ca\n\n\n The blues master's 80th birthday gift to his fans is his third all-star collaboration. Its dozen tunes are a mix of classics and obscurities from King's past. They include commendable versions of his signature \"The Thrill Is Gone,\" with trading vocal lines and licks, and 's \"Ain't Nobody Home,\" with answering King's gritty growl. There are obscurities, too, like \"Tired of Your Jive,\" with a jocular, and \"Hummingbird,\" transformed into a melodic gem with the assistance of . \nWhat's surprising is how well King's singing and playing continue to resist the years, especially when he unfurls his hearty voice on \"All Over Again\" as 's guitar plays equally soulful foil. And is richly colorful dueting on \"There Must Be a Better World Somewhere.\" What's disappointing is the perfunctory quality of King's match-ups with (\"Never Make Your Move Too Soon\") and (\"Rock This House\"). , , , and complete the guest list.\n --Ted Drozdowski\n\n\n Recommended BB King \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Completely Well\n\n\n\n Riding with the King (with Eric Clapton)\n\n\n\n Let the Good Times Roll: The Music of Louis Jordan\n\n\n\n\n\n\n Chronicles: Live at the Regal\/Blues Is King\/Live in Cook County Jail\n\n King of the Blues\n\n\n\n The Ultimate Collection\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 602498842461\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0602498842461\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42237931585795,"sku":"XJ-LMBH-WPRL","price":10.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/51lbWIIS5IL.jpg?v=1640151421"},{"product_id":"why-i-sing-the-blues","title":"BB King \/ Why I Sing the Blues - CD (Used)","description":"\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e BB King\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eFormat:\u003c\/b\u003e Best of\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 18-05-1994\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eDetails:\u003c\/b\u003e BB King\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 076742025625\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0076742025625\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42249010675971,"sku":"WV-W5QI-FNHQ","price":4.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/517-AMJj7xL.jpg?v=1640437566"},{"product_id":"just-like-you-1","title":"Keb' Mo' \/ Just Like You - CD (Used)","description":"\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Keb'Mo'\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 16-07-1996\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eDetails:\u003c\/b\u003e Amazon.ca Keb' Mo's 1995 Grammy-winning eponymous debut firmly lodged the Los Angeles-born singer-guitarist in the contemporary blues pantheon. His sophomore effort, Just Like You, is slick in comparison to the virtuosic, bare-bones Keb' Mo', but it's nevertheless an irresistible and accomplished album. While songs such as \"Perpetual Blues Machine\" and \"You Can Love Yourself\" are classic Mo', with their canny lyrics and facile slide and acoustic guitar licks, the sapfest \"Just Like You\" (with guests Bonnie Raitt and Jackson Browne) and the clichéd \"The Action\" are hard to stomach. Toward the end of the disc, however, the gospel-laced \"Hand It Over\" and folksy \"Momma, Where's My Daddy\" restore the faith, displaying once again Mo's marvelous talent for wrenching the heartstrings with simply his voice and soulful steel-guitar manipulations. --Rebecca Wright\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 074646731628\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0074646731628\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e english\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42267042152707,"sku":"ZN-2ZOM-Y3ZY","price":5.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/518s5xuhM5L.jpg?v=1640826790"},{"product_id":"canadian-blues-rendez-vous","title":"Canadian Blues Rendezvous","description":"\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Walsh, Bob\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eFormat:\u003c\/b\u003e Live\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 22-11-2006\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eDetails:\u003c\/b\u003e Walsh, Bob\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 619061202126\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0619061202126\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42269574627587,"sku":"FC-KHNC-7GGW","price":5.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/51NgAN1h3bL.jpg?v=1640869462"},{"product_id":"sloe-gin","title":"Joe Bonamassa \/ Sloe Gin - CD (Used)","description":"\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e BONAMASSA,JOE\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eFormat:\u003c\/b\u003e Remixes included\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 01-26-2009\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDetails:\u003c\/b\u003e Amazon.ca In the liner notes of Sloe Gin, emerging guitar great Joe Bonamassa explains that one of his objectives is to experiment with acoustic elements he first encountered while listening to Rod Stewart's earliest work. \"I think the heavy blues and acoustic mix well together,\" he writes, and the inviting variety of the disc's 11 tracks--from the rousing electric rave-up of the title track to the closing, tabla-propelled acoustic instrumental--persuasively underscores his point. Bonamassa is a major talent with a growing following, and as his fan base inevitably expands it may become difficult for him to keep everyone happy. Hardcore blues devotees no doubt will yearn for Bonamassa to stay perpetually plugged in, but in the long term that would be a disservice to his broad range of skills. Bonamassa rocks tremendously and convincingly on \"Dirt in My Pocket\" (a bristling original composition), the title track (well suited for air guitar), and his Claptone rendering of John Mayall's \"Another Kind of Love.\" Yet his softer works suggest that he sounds a little more comfortable and natural--vocally, at least--on the acoustic tracks. His retooled version of \"Around the Bend\" (his first take on this original composition is found on an earlier release) is an engaging, pastoral gem, and his paean to his upstate New York home (\"Richmond\") is perhaps this disc's most memorable selection. Bonamassa knows the blues (at the time of this release, he was the youngest member on the board of the Blues Foundation), but he also knows how to rock and how to sagaciously, artfully ease off the gas. --Terry Wood Product Description Named best blue grass guitarist in guitar player magazines 2007 readers choice awards, blues rock guitar virtuoso, vocalist and songwriter Joe Bonamassa is set to release his new solo album, Sloe Gin, on August 21. 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Veteran backup guitarist Kevin \"Keb' Mo'\" Moore has the freshest approach to pulling it off, turning Johnson's devil-obsessed classics \"Come on in My Kitchen\" and \"Kindhearted Woman Blues\" into friendly folk music on this 1994 debut. Unlike many of the great bluesmen, the personable Moore doesn't aspire to be evil or even rebellious; he writes terrific songs (most notably the opening \"Every Morning\" and \"Dirty Low Down and Bad\") and performs them with talent and charisma. --Steve Knopper Product Description Keb' Mo'\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 074645786322\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0074645786322\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42290323915011,"sku":"UJ-XZHN-UEPQ","price":7.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/51nAtF-xbvL.jpg?v=1641430823"},{"product_id":"mississippi-rolling-stone","title":"Nanette Workman \/ Mississippi Rolling Stone - CD (Used)","description":"\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Nanette Workman\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eFormat:\u003c\/b\u003e Import\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eRelease Date:\u003c\/b\u003e 2009-06-16\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eDetails:\u003c\/b\u003e Nanette Workman\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eUPC:\u003c\/b\u003e 777078912657\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEAN:\u003c\/b\u003e 0777078912657\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eLanguages:\u003c\/b\u003e English\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eItem Note:\u003c\/b\u003e From a library collection\u003c\/p\u003e \u003cp\u003e\u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"IDshop","offers":[{"title":"Default Title","offer_id":42294953083139,"sku":"T7-640W-IGZV","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/products\/51gGh-F-TNL.jpg?v=1641529043"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/9765\/7390\/collections\/headline-music-history-blues.jpg?v=1655348141","url":"https:\/\/idshop.ca\/en\/collections\/blues.oembed?page=9","provider":"ID Shop.ca","version":"1.0","type":"link"}