Album tracks:

Side A
1. Forêt
2. Copier-Coller
3. Trou noir
4. Fluorescent

Side B
1. La princesse de l'Au-delà
2. L'Au-delà
3. Kodak
4. Jeu funiculaire

With catchy melodies and thunderous riffs, Double Date with Death is mainly influenced by the punk and garage sound of their Californian contemporaries. DDWD unleashes its passion live in its own way with old-school impulses. The quartet explores a less raw sound by attempting to reinvent itself with L'Au-delà, a brand-new album entirely in French.

Recorded at Le Pantoum, this new opus marks a real turning point in the band's history. Illustrator Elzo Durt is the mastermind behind the visuals that helped map out the universe surrounding this idea of the "beyond," the album's central theme. The quartet starts off with a bang, stringing together tracks with biting guitars, and the rest is peppered with layers of synthesizers, a landing strip for the wild energy of the opening songs. The journey ends on more psychedelic pop notes, with choruses that hit hard. At the helm of recording, production, and mixing, Guillaume Chiasson (Ponctuation, Bon Enfant, Jesuslesfilles) added his creative touch to the album while preserving the essence of the group.